The middle ages/ The medieval world
notes
Roman empire
·
400 to 1400 AD
·
The Roman empire was at its
height at around 200 AD
·
Early Christianity began
The Dark ages
·
From c.500 to 1000 AD
·
Decline of 50% in the
population because of the plague.
·
Lots of people joined the
church and lots of religious art was created.
Medieval Britain
·
(Celtic cross) Anglo Saxon
jewelry was made and beautiful manuscripts in books had the same look as the
jewelry.
·
The books were made in
monasteries. The main language used was Latin
·
Not many people could read so
they believed ‘knowledge is power’
·
Battle of Hastings 1066 the
Bayeux tapestry was made its 70m long
·
Important documentation it shows the whole
story of the battle
·
It even shows the death of King
Harold.
Islam
·
12th century Quran
was very different to the Christian bibles because there was no images of
people.
·
It was all based on typography,
calligraphy and intricate patterns
Far east, China
·
They invented ink, paper and movable type between 1041-1048
·
The movable type didn't last
very long in china because they had too many letters
·
They created paper money
·
They drew as if they were
writing. It flowed very naturally
·
They only used ink “colour
fascinates the eye not the mind”
·
In china to be a good painter
first you must be a great calligrapher.
·
To be an artist you had to be
well educated (a scholar)
India
·
Main religions were Hinduism
and Buddhism
·
They created art purely for
religious ceremonies (it was destroyed straight away)
·
They were very sexual and
celebrated sex a lot within their art
Miso America
·
America was accidentally discovered
·
There was a lot of people
native to the country but a lot of them dies because of the Europeans invading.
·
The Mayan calendar consisted of
a series of cycles and it ended on the 21st of December 2012
·
Mixtee art 1350-1500 AD
Analyse
two examples of imagery from Christian/Celtic Europe, using three or more
different academic sources.
For this topic I decided to look at the Bayeux tapestry. The Bayeux tapestry is basically a really long comic strip that shows the battle of Hastings. It records England being invaded by the Normans. The tapestry is two hundred and thirty foot long and around twenty inches wide. The tapestry consists of 8 different sections that have been stitched together after they were embroidered.[1] The tapestry will have had an artist to draw the scenes onto the linen, then to be embroidered on by someone else. The images used in the tapestry are very literal and descriptive of what is going on but the tapestry has no speech or dialogue. It does have Latin inscriptions that give a basic outline of what is happening in the image (figure 1.)
Unlike modern strip cartoon it has
no conversation and does not make use of those interesting bubbles saying, "Thinks-." The
Latin inscription gives us some indication of what’s going on, but
for the most part the pictures are left to speak for themselves.[2]
![]() |
(figure 1) opening section of the tapestry |
The
tapestry is very simplistic in the way that it shows faces and buildings. All
of the faces are side ways on as opposed to full on or three quarter as seen in
(figure 2). This was probably done for ease, as it is easier to create a simple
profile face than any other. Buildings were also really simple and they were
more suggestive of buildings rather than showing them in their entirety. This
was done so the people inside of the buildings are visible to the viewer.
The extent to which profile
faces are utilised in the tapestry is unusually great in the context of
eleventh-century art as a whole. The main reason for this having nothing to do
with race, but rather the literal flow of the narrative, and the fact that it
is easier to embroider profile faces than three-quarter ones. In point of fact
the use of profile faces was increasing in England as much as in Normandy and
France during the later eleventh century. [3]
![]() |
(Figure2) Bayeux tapestry |
The tapestry uses eight different colours
red, two different yellows, two of green and three blue these most likely wont
have been symbolic of real life colours. The tapestry will have had many
different people working on it to get it complete. Baring this in mind the
style does not differ at all throughout the tapestry. This is because an artist
or designer will have drawn out the design before passing it on to the
embroiders.
Yet while many different
hands must have been at work along the tapestry, we cannot at present tell one
from another [4]
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